Along with other types of commercial photography that I’m hired for, I photograph a tremendous amount of executive portraits, including this recent one of a company’s CEO. This particular project had me traveling to their headquarters to photograph not only the CEO but all of their upper management staff. This seems to be a common practice in the metro Detroit corporate arena, as I receive headshot bookings frequently, both for photo sessions in our Troy studio as well as the convenience of having me set up shop at corporate facilities. As in this case as well as many others, clients will add retouching to the scope of work.
I’ve been photographing executive portraits for quite a number of years at my Troy, Michigan studio, as well as on-site at client’s facilities. The deciding factor as to where to shoot usually is determined by how many subjects need headshots for their business. Typically if there is only one or two from a company, its more economical to come to my studio. Situations where a business needs a half-dozen or more of their executives photographed, it is much more advantageous for me to come to them.
This woman executive I photographed (shown above) came to my studio on short notice. She works for a New York IT consulting firm, but is based out of the Detroit area. As is often the case, she was to have a press release published regarding her work and needed a professional photographer to capture her portrait. Although I’m a bit biased towards having a corporate portrait done, I believe it is money well spent.
I receive quite a few portrait requests from executives to photograph them for their Linkedin social media page. I was originally surprised by these assignments as most people tend to use an informal portrait of themselves, usually taken by a spouse or friend. But as I started booking more and more headshot sessions, I realized that these corporate execs needed professional looking portraits in order to compete on a world wide stage.
The headshot portrait shown above was a truly enjoyable collaboration. My subject had just been hired to be the Creative Director for a California high tech automotive start-up company. He came to my Troy, Michigan studio with several ideas of what he was looking for in a portrait, and we experimented with an assortment of backgrounds and different lighting setups. He was thrilled with the results, which of course validates my photographic efforts.
I was recently commissioned to photograph an executive portrait for an automotive technology company from the United Kingdom. The Advanced Propulsion Centre helps to fund green technology companies as they embark on getting their vehicles to market.
For me, it was a chance to embrace a somewhat different directive than a typical executive headshot. The client was looking for a black and white portrait, something that I lacked in my portraiture repertoire; plus a very tight crop of the subject. Any assignment that breaks the mold is a photographer’s delight; this was one of them.
When I’m not photographing products for commercial clients, I can usually be found shooting executive portraits. Asked recently by an executive during his portrait session how many portraits I’ve done in my career, I quickly responded “hundreds”. I thought about that for a moment, and then changed my answer to “thousands”! Not that I really have the time or the inclination to research the exact number, I do find it to be a fascinating amount of people that I’ve worked with over the years.
A company out of Dallas hired me last week to photograph these three attorneys for a feature article. Its not often that I shoot against a true black background but it was a good exercise in lighting and separation, and it fulfilled the client’s requirement design. This legal trio was a treat to work with; consummate professionals! Here is a link to my Blue Sky Photography “Lifestyle” site: https://www.blueskyphotographyinc.com/people/
Not all headshots require a suit and tie. I photograph a lot of company headshot portraits, and I mean a lot! Most do wear the usual corporate garb but it really depends on what the subject wants to say about himself, or herself. I really like this particular portrait I created because it carries an attitude with it; an attitude of self-assurance, both in wardrobe, style and stance.